MOJAVE: HEAT WAVE

Rice Box and Burn from the Sun, 2024

Who is to blame for the meteoric rise of the heat index each year?

Is it my home, the United States of America? Our Chinese rivals? Russia? Europe?

I do believe my country plays a role in this…however I don’t believe it’s just us.

It’s too simplistic to place all blame on one country. But if I must give an answer, there is a commonality from all First Worlders which contributes to this relentless, heatstroke inducing hellscape:

The Greed of Man.

Man gets what He wants.

At the cost of others lives, his own life, of Planet Earth’s.

Reprieve, 2024

In the bustle there’s hotels for everyone

You don’t need a room to partake

Only appreciation

Indoors keep us away from Hell

They harbor cold air, sustenance, water…alcohol

Mechanical Bull Ride, 2024

 The French Quarter has Old Western color during summer days.

Latticed red-brown bricks and gritty streets take on the Sun’s rays for hours;

Heat waves simmer from afar,

Wild and ready, grab the bull by the horns

That’s the approach,

Sweating is the toll to pay in this horrific weather.

White Surface, 2024

A blank canvas entices man to leave his mark. 

Is it for pulling the aloof passerby’s attention? 

Or is it for proving their own existence? 

The city speaks to me through these marks

Graffiti is vandalism and poetry when done purposefully

Sun Leaks on CCC, 2024

Sunlight and steel create shadow contours on the CCC

Stop, observe the hot golden splotches

And get rich,

For the eyes have seen an intangible gold

Open Gate, 2022

The cellphone has become common.

How much do we truly understand?

Electronic communication amongst ourselves is held by the thinnest thread.

It’s disturbing how easy it is to visit these telecommunication zones.

Orange Hall, 2024

Hidden gems in the Crescent are bountiful

Like this hallway to who-knows-where.

Such radiance could only mean luxury and relaxation.

Gaudiness can’t lead to boredom

There may be spirits, garnishes, beer

Paradise for sure.

White is the Shield, 2024

The mannequin showcases the proper colors to equip in summer heat

She looks comfortable, beautiful 

Wishing they had reprieve from the scorch,

The world surrounds her through the window’s reflection

Sunny Quarter, 2024

The Quarter balconies protect me from the scorching Sun

Construction workers? Not so much…

It is their duty to tear apart, refurbish, and pour

I see them even when they’re absent

The equipment, the barriers;

The damning evidence of builders from the city and abroad

Red Van, 2024

The color red is nectar for the eyes.

Is it an advertisement? 

Is it a warning? 

Is it here to fight for us? Against us?

The color red has mysterious power

No wonder They cloak themselves in it

Toasted News, 2022

News is hell and News is necessary

Even if it’s too hot for the eyes,

The information overload appeases the worries of the passionate, the inquisitive, the cultured

Black Cover, 2024

Oh, how brutal the heat is from prolonged exposure

Shade from the balconies can’t protect all

Even the paint of a vehicle becomes a victim

Dropped Cone, 2022

Another one of construction’s orange varieties.

Always near empty lots. Old buildings.

Perfect for ad placement.

I guess people really do pay attention.

Otherwise, there wouldn’t be so many examples.

Orange Barrier, 2024

Ancient French Quarter streets,

And red brick buildings and walkways, 

Blend with New Orleans’ perpetual construction projects

The longer these drag on, the more tattoos the Crescent receives

To the Warm End, 2022

Only Hades could drive without AC in a blaze

But this is January air,

Don’t let the sunset fool you

Open the windows: driver, passenger, backseat 

How much longer until I reach Kenner?

Those long drives from the Crescent to Lake Pontchartrain was life after the film industry

Now, I’m on the Other Side of the River 

Documenting to this day.

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OBSIDIAN: FROM BLUE TO ASH